Author Archives: Ruth

Arabia: who are the Arabs?

It seems like we know the answer to this question, but do we? The Arabs live in Arabia, but they also live in Iraq and Syria. Not in Iran, in spite of the similarity of religion. Are Egyptians Arabs? I … Continue reading

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Medieval Islam: origins (sticky)

Islam and the Christian West: in a chronic face-off since 600 AD, and yet we in the West know so little about Islam and its adherents. When I worked on this topic in the past, it became clear to me … Continue reading

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Touring Players Before 1570

The last transitional stage in England between medieval and modern theater (counting Shakespeare as the start of the modern) was the rise of touring theater companies. There were two types, the sponsored kind that we think was involved in Shakespeare’s … Continue reading

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The Palmer, the Pardoner, the Pothecary, and the Peddler

The pre-eminent name in early Tudor plays is John Heywood’s. Heywood was part of a leading intellectual family, at a time when London had a wealth of aristocratic scholars, when Renaissance learning was at a fever pitch. Heywood himself was … Continue reading

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Interludes: Tudor comedy

Late medieval English comedies are called “Interludes,” a name that suggests they were playful interruptions to something else more serious, like a banquet or a longer devotional play. The name seems to suggest most strongly festivities at a banquet, perhaps … Continue reading

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Farce: Late Medieval Comedy in Continental Europe

We have something like four hundred examples of 15th century comic theater from France. We usually call these comedies “Farce,” from Latin “farcire,” to stuff. But at the time, they called the plays farce, sottie, or even moralité. A “sot” was … Continue reading

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The Shepherds’ Miracle Farce

Modern comedy begins to emerge from medieval piety in the Yorkshire town of Wakefield’s passion play cycle. We don’t know as much about the production at Wakefield, which may have been on wagons as at York. But certain of the … Continue reading

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The Castle of Perseverance

“The Castle of Perseverance” is a good model for how the basic morality play worked. It’s among the earliest allegorical plays written in English, possibly predating the ban on use of English Bible quotations. It’s also the only play that … Continue reading

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No Bible in English? the Morality play answer

In the decades when the Bubonic Plague visitations were thinning the European population, churches found themselves short of priests. Other skilled trades were just as hard-hit, and for stonemasons it was even worse. But the people cared about having enough … Continue reading

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Court performance and dance

Medieval court theater could be called “London Meets Las Vegas.” We think of sparkle and feathers and over-the-top spectacle as being in poor taste, but it wasn’t that way at all, then. The court liked a good entertainment; one way … Continue reading

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